About me

Hello, I’m Eva.

I’m a European artist currently living in Panama, where I find constant inspiration in the vibrant colours, energy and contrasts of my surroundings.

My artistic practice develops through a visual language I define as Chromatic Intuitive Expressionism — a space where colour becomes emotion and intuition guides creation. Through immersive compositions, I explore movement, emotional landscapes and organic forms that emerge naturally during the painting process.

I do not begin with a predefined plan. Each painting unfolds gradually, guided by gesture, colour and what I feel in the moment. Faces, flowers, animals and abstract forms appear intuitively, creating a visual language that moves freely between abstraction and figuration.

My artistic universe develops through two interconnected dimensions: nature as emotional energy and human presence as an inner landscape. Flowers become living symbols of growth, movement and transformation, while faces emerge as emotional identities and silent narratives.

I began painting during a challenging period in my life, and since then art has become a space for transformation and a profound connection with myself. Each work carries emotions and stories that are not always meant to be explained, but rather felt.

I have developed my artistic journey through various training programmes, including studies at the Lisbon School of Fine Arts. I have presented my work in a solo exhibition in Portugal and in various group exhibitions, both virtual—in Switzerland, Dubai, Paris and Miami—and in-person in Morocco and Panama. Furthermore, I received an honourable mention at one of my first exhibitions in Portugal.

Each painting is unique and exists as an encounter: between what I express and what the viewer feels. My aim is not simply for the work to be seen, but to create an intimate, personal and almost invisible connection with whoever chooses it and brings it into their space.

With gratitude Eva

Customer reviews

Discover what our clients think about my service